James Taylor-Foster
Selected writing 2015 – 2023
  • About
  • Category
  • Title
  • Publication
  • Year
  • Curatorial
  • ✶ The Limits of Our World: LARP and Design
  • 2022
James Taylor-Foster
editor & writer of essays & reviews,
architectural designer,
maker of exhibitions
Selected writing 2015 – 2023
  • ✶ The Limits of Our World: LARP and Design
Fig 1. The Limits of Our World: LARP and Design, an event exploring live-action role-play and its relationship to architecture, design and public life (ArkDes, December 10, 2022)


Live illustration of The Limits of Our World by Erik He (December 10, 2022). Courtesy of ArkDes.
Fig 2. Live illustration of The Limits of Our World by Erik He (December 10, 2022). Courtesy of ArkDes.

Session 1: Anna Westerling, Philip Pedro Tomei, Sagalinn Tangen, Leon Krosness, Simone C. Niquille/Technoflesh, Svante Helmbæk Tirén (Sima Korenivski, 2022). Courtesy of ArkDes.
Fig 3. Session 1: Anna Westerling, Philip Pedro Tomei, Sagalinn Tangen, Leon Krosness, Simone C. Niquille/Technoflesh, Svante Helmbæk Tirén (Sima Korenivski, 2022). Courtesy of ArkDes.

Session 2: Omsk Social Club, Terry Nguyen, Trojan Horse, and Alice Shulman. (Sima Korenivski, 2022). Courtesy of ArkDes.
Fig 4. Session 2: Omsk Social Club, Terry Nguyen, Trojan Horse, and Alice Shulman. (Sima Korenivski, 2022). Courtesy of ArkDes.

Live illustration of The Limits of Our World by Erik He (December 10, 2022). Courtesy of ArkDes.
Fig 5. Live illustration of The Limits of Our World by Erik He (December 10, 2022). Courtesy of ArkDes.


Assistant Curator: Sujy Lee Curatorial Assistance: Vincent Van Spaendonk Technician: Stefan Mossfeldt Photography: Sima Korenivski Live Illustration: Erik He
This physical presentation of Watch and Chill 2.0: Streaming Senses is organised by ArkDes in partnership with the National Museum of Modern and Contemporary Art, Korea, and the Sharjah Art Foundation. Curated alongside Jihoi Lee and Hoor Al Qasimi.

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James Taylor-Foster
editor & writer of essays & reviews,
architectural designer,
maker of exhibitions
  • CuratorialI.
  • ProjectsII.
  • PublicationsIII.
  • SpeakingIV.
  • WritingV.
I.Curatorial
  • ✶ Joar Nango: Girjegumpi, Venice2023
  • ✶ WEIRD SENSATION FEELS GOOD, London2022
  • ✶ Mira Bergh × Josefin Zachrisson: Utomhusverket2022
  • ✶ The Limits of Our World: LARP and Design2022
  • Solicited: Proposals2021
  • Studio Ossidiana: Utomhusverket2021
  • WEIRD SENSATION FEELS GOOD, Stockholm2020
  • Architecture Projects: Skeppsbron + Brunnsparken2019
  • Cruising Pavilion: Architecture, Gay Sex, Cruising Culture2019
  • The Craft of Swedish Videogame Design2019
  • Petra Gipp and Mikael Olsson; Sigurd Lewerentz – Freestanding2018
  • Space Popular: Value in the Virtual2018
  • You Are Not Alone2017
  • In Therapy2016
  • Keeping Up Appearances2015
II.Projects
  • ASMR, An Exhibition Trailer2022
  • Watch & Chill 2.0: Streaming Senses2022
  • ASMRology2021
  • Plug-in Poesi2020
  • Interdependence: Stockholm and pandemia2020
  • Future Architecture Rooms2020
  • SOFT GOSSIP2020
  • Mukbang Veneziano2020
  • Körper2019
  • Architecture on Display2018
  • Boxen at ArkDes2018
  • The Stones of Venice: A Kimono2017
  • Misunderstandings (A Reliquary)2016
III.Publications
  • ✶ softspot2021
  • Living on Water2017
  • Elemental Living2016
  • People, Place, Purpose2015
IV.Speaking
  • ✶ Scaffold #612022
  • Salons, The New Architecture School2022
  • Protagonist of the Erotic: A Bed2022
  • OAT Academy, Curating Architecture2022
  • ✶ Protagonist of the Erotic: An Island2021
  • A Future for Exhibitions2021
  • Future Architecture CEx2020 Focus Talks2020
  • Modevisningar är den flyktigaste formen av arkitektur2018
  • Exhibition Models2017
V.Writing
  • Wang & Söderström: Royal Chambers2023
  • Studio Ossidiana on the Sentimental Scale of the City2022
  • A Strange Sort of Weight2021
  • What’s Mine Is Theirs: an interview with Max Lamb2020
  • ✶ Screen Glow Sedation2020
  • No Time to Stand and Stare2020
  • On Norra Tornen2020
  • ✶ Don’t Fear a Snowflake2020
  • In Riga, A Conference On Architecture and Migration2019
  • On Practical Futurology2019
  • Foreword: On the Manifesto2019
  • Making Believe with Charlap Hyman & Herrero2019
  • ✶ To Speak As If In Capital Letters2019
  • Baltoscandia: A Complex Utopia2018
  • ✶ Virgil Abloh, Editor in Brief2018
  • A Weak Monument2018
  • Sigurd Lewerentz: Villa Edstrand2018
  • On the Cruising Pavilion2018
  • A Diary of Virgil Abloh’s First Louis Vuitton Show2018
  • ✶ The Boat is Leaking. The Captain Lied.2018
  • Concrete Mountain2017
  • ✶ On Liquid Modernity2017
  • ✶ #003399, #FFCC00; The Meaning of a Flag2017
  • Pillars of Society: “Jantelagen”2017
  • Exhibiting the Postmodern2017
  • Future Architecture and the Idea of Europe2017
  • Domains of Influence2017
  • Ingress: Black Rock City2017
  • In Dialogue With Gravity2017
  • Rem, Redacted2016
  • Media States, Or The State of Media2016
  • A Piece of England to Call One’s Own2016
  • Upon This Rock (I Will Build My Church)2016
  • The Design of the Species2016
  • Venice Isn’t Sinking, It’s Flooding2016
James Taylor-Foster
editor & writer of essays & reviews,
architectural designer,
maker of exhibitions
 Selected writing 2015 – 2023
Curatorial
  • ✶ The Limits of Our World: LARP and Design 2022
  • with Anna Westerling, Philip Pedro Tomei, Sagalinn Tangen, Leon Krosness, Simone C. Niquille/Technoflesh, Omsk Social Club, Trojan Horse, Terry Nguyen, Svante Helmbæk Tirén, Alice Shulman at ArkDes
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Fig 1. The Limits of Our World: LARP and Design, an event exploring live-action role-play and its relationship to architecture, design and public life (ArkDes, December 10, 2022)


Live illustration of The Limits of Our World by Erik He (December 10, 2022). Courtesy of ArkDes.
Fig 2. Live illustration of The Limits of Our World by Erik He (December 10, 2022). Courtesy of ArkDes.

Session 1: Anna Westerling, Philip Pedro Tomei, Sagalinn Tangen, Leon Krosness, Simone C. Niquille/Technoflesh, Svante Helmbæk Tirén (Sima Korenivski, 2022). Courtesy of ArkDes.
Fig 3. Session 1: Anna Westerling, Philip Pedro Tomei, Sagalinn Tangen, Leon Krosness, Simone C. Niquille/Technoflesh, Svante Helmbæk Tirén (Sima Korenivski, 2022). Courtesy of ArkDes.

Session 2: Omsk Social Club, Terry Nguyen, Trojan Horse, and Alice Shulman. (Sima Korenivski, 2022). Courtesy of ArkDes.
Fig 4. Session 2: Omsk Social Club, Terry Nguyen, Trojan Horse, and Alice Shulman. (Sima Korenivski, 2022). Courtesy of ArkDes.

Live illustration of The Limits of Our World by Erik He (December 10, 2022). Courtesy of ArkDes.
Fig 5. Live illustration of The Limits of Our World by Erik He (December 10, 2022). Courtesy of ArkDes.


Assistant Curator: Sujy Lee Curatorial Assistance: Vincent Van Spaendonk Technician: Stefan Mossfeldt Photography: Sima Korenivski Live Illustration: Erik He
This physical presentation of Watch and Chill 2.0: Streaming Senses is organised by ArkDes in partnership with the National Museum of Modern and Contemporary Art, Korea, and the Sharjah Art Foundation. Curated alongside Jihoi Lee and Hoor Al Qasimi.
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