James Taylor-Foster
Selected writing 2015 – 2023
About
Category
Title
Publication
Year
Projects
ASMRology
2021
James Taylor-Foster
editor & writer
of essays & reviews,
architectural designer,
maker
of exhibitions
Selected writing 2015 – 2023
ASMRology
Facebook
,
Instagram
,
Twitter
and
Are.na
James Taylor-Foster
editor & writer
of essays & reviews,
architectural designer,
maker
of exhibitions
Curatorial
I.
Projects
II.
Publications
III.
Speaking
IV.
Writing
V.
I.
Curatorial
✶ Joar Nango: Girjegumpi, Venice
2023
✶ WEIRD SENSATION FEELS GOOD, London
2022
✶ Mira Bergh × Josefin Zachrisson: Utomhusverket
2022
✶ The Limits of Our World: LARP and Design
2022
Solicited: Proposals
2021
Studio Ossidiana: Utomhusverket
2021
WEIRD SENSATION FEELS GOOD, Stockholm
2020
Architecture Projects: Skeppsbron + Brunnsparken
2019
Cruising Pavilion: Architecture, Gay Sex, Cruising Culture
2019
The Craft of Swedish Videogame Design
2019
Petra Gipp and Mikael Olsson; Sigurd Lewerentz – Freestanding
2018
Space Popular: Value in the Virtual
2018
You Are Not Alone
2017
In Therapy
2016
Keeping Up Appearances
2015
II.
Projects
ASMR, An Exhibition Trailer
2022
Watch & Chill 2.0: Streaming Senses
2022
ASMRology
2021
Plug-in Poesi
2020
Interdependence: Stockholm and pandemia
2020
Future Architecture Rooms
2020
SOFT GOSSIP
2020
Mukbang Veneziano
2020
Körper
2019
Architecture on Display
2018
Boxen at ArkDes
2018
The Stones of Venice: A Kimono
2017
Misunderstandings (A Reliquary)
2016
III.
Publications
✶ softspot
2021
Living on Water
2017
Elemental Living
2016
People, Place, Purpose
2015
IV.
Speaking
✶ Scaffold #61
2022
Salons, The New Architecture School
2022
Protagonist of the Erotic: A Bed
2022
OAT Academy, Curating Architecture
2022
✶ Protagonist of the Erotic: An Island
2021
A Future for Exhibitions
2021
Future Architecture CEx2020 Focus Talks
2020
Modevisningar är den flyktigaste formen av arkitektur
2018
Exhibition Models
2017
V.
Writing
Wang & Söderström: Royal Chambers
2023
Lisa Tan: Dodge and/or Burn
2023
Luki Essender: Of Yous
2023
Studio Ossidiana on the Sentimental Scale of the City
2022
A Strange Sort of Weight
2021
What’s Mine Is Theirs: an interview with Max Lamb
2020
✶ Screen Glow Sedation
2020
No Time to Stand and Stare
2020
On Norra Tornen
2020
✶ Don’t Fear a Snowflake
2020
In Riga, A Conference On Architecture and Migration
2019
On Practical Futurology
2019
Foreword: On the Manifesto
2019
Making Believe with Charlap Hyman & Herrero
2019
✶ To Speak As If In Capital Letters
2019
Baltoscandia: A Complex Utopia
2018
✶ Virgil Abloh, Editor in Brief
2018
A Weak Monument
2018
Sigurd Lewerentz: Villa Edstrand
2018
On the Cruising Pavilion
2018
A Diary of Virgil Abloh’s First Louis Vuitton Show
2018
✶ The Boat is Leaking. The Captain Lied.
2018
Concrete Mountain
2017
✶ On Liquid Modernity
2017
✶ #003399, #FFCC00; The Meaning of a Flag
2017
Pillars of Society: “Jantelagen”
2017
Exhibiting the Postmodern
2017
Future Architecture and the Idea of Europe
2017
Domains of Influence
2017
Ingress: Black Rock City
2017
In Dialogue With Gravity
2017
Rem, Redacted
2016
Media States, Or The State of Media
2016
A Piece of England to Call One’s Own
2016
Upon This Rock (I Will Build My Church)
2016
The Design of the Species
2016
Venice Isn’t Sinking, It’s Flooding
2016
James Taylor-Foster
editor & writer
of essays & reviews,
architectural designer,
maker
of exhibitions
Selected writing 2015 – 2023
Projects
ASMRology
2021
at
Substack
Back
Back to Index
Login
Username
Password
Remember Me
Forgotten Password?
Username or Email
Lost your password?
Back to Login