- Projects
- alvedon series
- 2020
I.Curatorial
- Studio Ossidiana: Utomhusverket 20212021
- WEIRD SENSATION FEELS GOOD2020
- Architecture Projects: Skeppsbron2019
- Cruising Pavilion2019
- The Craft of Swedish Videogame Design2019
- Sigurd Lewerentz: Freestanding2018
- Space Popular: Value in the Virtual2018
- Boxen at ArkDes2018
- You Are Not Alone2017
- In Therapy2016
- Keeping Up Appearances2015
II.Projects
- Comfort Sessions2021
- Plug-in Poesi2020
- Pillow Talks2020
- 〰️ Interdependence, a portrait of Stockholm2020
- exhibiting architecture, exhibition models2020
- Future Architecture Rooms2020
- SOFT GOSSIP2020
- alvedon series2020
- asmrology2020
- Mukbang Veneziano2020
- Körper2019
- Architecture on Display2018
- Planetary Protocols2018
- The Stones of Venice: A Kimono2017
- Misunderstandings (A Reliquary)2016
III.Publications
IV.Speaking
V.Writing
- What’s Mine Is Theirs: an interview with Max Lamb2020
- No Time to Stand and Stare2020
- 〰️ Screen Glow Sedation2020
- 〰️ Don’t Fear a Snowflake2020
- Making Believe with Charlap Hyman & Herrero2019
- Foreword: On the Manifesto2019
- On Practical Futurology2019
- 〰️ To Speak As If In Capital Letters2019
- In Riga, A Conference On Architecture and Migration2019
- Baltoscandia: A Complex Utopia2018
- On the Cruising Pavilion2018
- 〰️ A Weak Monument2018
- A Diary of Virgil Abloh’s First Louis Vuitton Show2018
- 〰️ The Boat is Leaking. The Captain Lied.2018
- 〰️ Virgil Abloh, Editor in Brief2018
- Sigurd Lewerentz: Villa Edstrand2018
- 〰️ On Liquid Modernity2017
- 〰️ #003399, #FFCC00; The Meaning of a Flag2017
- Pillars of Society: “Jantelagen”2017
- Exhibiting the Postmodern2017
- Future Architecture and the Idea of Europe2017
- Domains of Influence2017
- Concrete Mountain2017
- Ingress: Black Rock City2017
- In Dialogue With Gravity2017
- Rem, Redacted2016
- Media States, Or The State of Media2016
- A Piece of England to Call One’s Own2016
- Upon This Rock (I Will Build My Church)2016
- The Design of the Species2016
- Venice Isn’t Sinking, It’s Flooding2016