James Taylor-Foster
Selected writing 2012 – 2018
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James Taylor-Foster
editor & writer of essays & reviews,
architectural designer,
maker of exhibitions
Selected writing 2012 – 2018
  • Home

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James Taylor-Foster
editor & writer of essays & reviews,
architectural designer,
maker of exhibitions
  • CuratorialI.
  • ProjectsII.
  • PublicationsIII.
  • SpeakingIV.
  • WritingV.
I.Curatorial
  • Alternate Presents Welcome2017
  • You Are Not Alone2017
  • In Therapy — 15th Nordic Pavilion2016
  • Keeping Up Appearances2015
II.Projects
  • Architecture on Display2018
  • Planetary Protocols2018
  • The Stones of Venice: A Kimono2017
  • Misunderstandings (A Reliquary)2016
  • Conversational Skeleton2015
  • Domestic Flux2014
III.Publications
  • Living on Water2017
  • Faith2016
  • Elemental Living2016
  • Abundance2016
  • Clairvoyance2015
  • People, Place, Purpose2015
  • Defiance2015
  • Monet: Colour in Impressionism2012
IV.Speaking
  • Attention, Accelerated2017
  • Baltoscandia: A Complex Utopia2017
  • Exhibition Models2017
  • Profil on RTV 42017
  • Radio Broadcasts2016
V.Writing
  • Concrete Mountain2017
  • On Liquid Modernity2017
  • #003399, #FFCC00; The Meaning of a Flag2017
  • Pillars of Society: “Jantelagen”2017
  • Exhibiting the Postmodern2017
  • Future Architecture and the Idea of Europe2017
  • Domains of Influence2017
  • Ingress: Black Rock City2017
  • In Dialogue With Gravity2017
  • Rem, Redacted2016
  • Media States, Or The State of Media2016
  • A Piece of England to Call One’s Own2016
  • Upon This Rock (I Will Build My Church)2016
  • The Design of the Species2016
  • Venice Isn’t Sinking, It’s Flooding2016
  • The Woodland Cemetery2015
James Taylor-Foster
editor & writer of essays & reviews,
architectural designer,
maker of exhibitions
 Selected writing 2012 – 2018
  • Home
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